Three Rivers Public Library
I Know This Much Is TrueThree Rivers Public Library is the site of the October 12, 1990 episode in which Thomas Birdsey amputates his right hand with a ceremonial knife. An ordinary public institution, with patrons to protect and staff responsible for maintaining order, becomes the setting for Thomas’s intensely private religious mission and the chaotic emergency that follows.
Setting and Circumstances
On the afternoon of October 12, 1990, the head librarian was away at an all-day meeting in Hartford, leaving Theresa Fenneck, the children’s librarian, officially in charge. Thomas had withdrawn to a rear study carrel and was praying aloud. Fenneck approached him and told him to lower his voice or leave: other patrons were present, and the library was not a church.
The encounter follows a Sunday visit with his twin brother, Dominick Birdsey. During their customary outings, Dominick signed Thomas out of the state hospital’s Settle Building, took him to lunch or on a drive, and returned him before supper. The day before the library incident, they had sat together at Friendly’s while Thomas reviewed newspaper clippings about the Persian Gulf crisis in his scrapbook. The library scene thus arrives after a familiar routine, but Thomas’s preparations for the act had already taken shape beyond the public’s view.
The Study Carrel and the Act
After Fenneck’s reprimand, Thomas resumed praying silently, repeating a passage from Saint Matthew’s Gospel about removing an offending eye or hand. He took a Gurkha knife from his sweatshirt jacket. Their stepfather, Ray, had brought it home as a World War II souvenir; until the previous afternoon, it had remained sheathed and forgotten on a bedroom wall in the house where the brothers grew up.
Using his left hand, Thomas carried out the steps he had rehearsed. At the wrist, he cut through bone and severed his right hand. He then reached into the wound to pinch and twist the spurting arteries closed, and raised his arm to slow the bleeding. The library’s study carrel, intended for quiet reading, became the confined workspace for an act Thomas understood as religious sacrifice.
Emergency and Aftermath
The people in the library reacted first with confusion and fear. Some fled; two women hid among the stacks, afraid Thomas might attack them. Fenneck crouched behind the front desk and called 911. Thomas staggered from the carrel to a nearby table, sat down, and went into shock; the knife remained inside the carrel. Once it became clear that he had harmed no one but himself, Fenneck told the custodian to cover the severed hand with a newspaper.
Emergency medical technicians and police arrived together. The medics treated Thomas, secured him to a stretcher, and placed the hand in an ice-filled plastic bag fetched from the staff lounge refrigerator. At the emergency room, Thomas refused surgical reattachment. The library is therefore both the scene of his self-inflicted injury and the point from which its immediate medical and legal consequences unfold.
Narrative Significance
The episode turns the library’s ordinary rules of public conduct into a sharp threshold: Fenneck’s instruction to be quiet or leave is followed by an act that makes the private crisis impossible to contain. The contrast between Thomas’s silence after the reprimand and the panic among patrons gives the scene its force. The institution itself does not explain his mission; instead, its carrels, desk, stacks, and staff lounge become the practical setting in which witnesses respond to the consequences.


